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Don Quixote / Rudolf Nureyev [grabación sonora]

By: Contributor(s): Publication details: USA : Kultur , 1999.Description: 1 DVD (127 min.)Uniform titles:
  • Don Quijote [grabación sonora]
Subject(s): DDC classification:
  • D792.8 N974d
Dancers: - Rudolf Nureyev - Robert Helpmann - Lucette Aldous - Ray Powell - Francis Croese and dancers of The Australian Ballet. Summary: ''This 1973 film treatment of the ballet classic Don Quixote has a spaciousness, a freedom of movement often missing when a staged ballet production is taped for television. It captures the art of Rudolf Nureyev at the height of his powers, both as a dancer and as a choreographer. With distinguished supporting performances by Robert Helpmann and Lucette Aldous, the production balances lyric and narrative elements, wit and pathos, satire and idealism, with virtuoso solo and ensemble dancing. Nureyev, a perfectionist, had an enormous airplane hangar in Australia transformed into a studio for the 25 days he spent dancing and shooting this episode in the crazy life of Cervantes's mock-epic hero. The routine 19th-century score by Ludwig Minkus has been modestly upgraded by conductor John Lanchbery, contributing positively to the performance's energy''. Joe McLellan
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Holdings
Item type Current library Collection Call number Copy number Status Date due Barcode
Digital Video Biblioteca Centro Cultural Gabriela Mistral Audiovisuales DVD D792.8 N974d 1999 c.1 Not for loan (Préstamo en Sala) 35628000030723

Dancers:
- Rudolf Nureyev
- Robert Helpmann
- Lucette Aldous
- Ray Powell
- Francis Croese and dancers of The Australian Ballet.

''This 1973 film treatment of the ballet classic Don Quixote has a spaciousness, a freedom of movement often missing when a staged ballet production is taped for television. It captures the art of Rudolf Nureyev at the height of his powers, both as a dancer and as a choreographer. With distinguished supporting performances by Robert Helpmann and Lucette Aldous, the production balances lyric and narrative elements, wit and pathos, satire and idealism, with virtuoso solo and ensemble dancing. Nureyev, a perfectionist, had an enormous airplane hangar in Australia transformed into a studio for the 25 days he spent dancing and shooting this episode in the crazy life of Cervantes's mock-epic hero. The routine 19th-century score by Ludwig Minkus has been modestly upgraded by conductor John Lanchbery, contributing positively to the performance's energy''. Joe McLellan

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